Issues
It’s the magic point between sunset and setting and the sky is a bluesy purple, the street is all wet with hours ago rain. I finger a rusty nail in an electric post and let Tanisha go on about Betty Davis and ordained journeys and black girl magic. There’s no real use arguing with Tanisha’s logic. It’d be like talking to the radio.
Featuring 6 micro-fictions and 5 poems inspired Cecilia Vicuña’s 1972 “Amaranta” which was “lost and reborn” when found in 2021. The Chilean artist-poet-activist writes simply as an introduction to her work, “My work dwells in the not yet, the future potential of the unformed, where sound, weaving, and language interact to create new meanings.”
Cecilia once told me she had to choose between poetry and painting, but she no longer believes this and is recovering what was stolen, rejected, lost. You bequeath to your daughter what was left of the flag, and rejecting its unflattering form, she refashions it into a crop top to show off her midriff. She’s on the verge of something, that beautiful precipice.






