Solitary Encounters
His intellect reminded me of Spanish Harlem,
unpretentious but resonating,
as he discussed downtown’s inconsistent architecture,
the irony of Thomas Paine’s title Common Sense,
coined the term déjà vu history
when another child disappears, a shooting becomes rudimentary,
a person killed for walking in the wrong color.
His philosophy on how the world works
reminded me of the Bronx,
unafraid of who he offended
as he confessed why he carries a knife
wherever he goes, why he will never marry
a woman named after a cocktail,
and why provocation is sometimes necessary.
He doesn’t remember the inappropriate joke
we simultaneously smiled at,
how I stared at him longer than I should,
or our goodbye hug
awkward like undergraduate sex
when hands don’t know where they should go.
A BX Love Letter
He welcomed her at innocence,
surrounded her with dystopic landscapes
filled with lullabies sung by fire engines,
car horns, and police sirens,
made sure her Buster Brown shoes
hopscotched safely from Tremont Avenue to Crotona Park,
never falling between the concrete chasms
left behind from salt poured on icy Januaries,
listening to his metropolitan lessons
of trusting no one, following her instincts
versus hackneyed island rhetoric, writing
ekphrasis poems from graffiti murals.
Perhaps he made her too tough
as her body grew into her attitude,
forming hermetically sealed domains,
technicolor emotions wrapped in pink bows
like the arsenal of birthday gifts he gave her each year,
such as strip someone naked in two languages,
stare down urban Goliaths with brown eyes warmer
than the sun she was born under.
But one day she left him for another,
one who recycled the recycled,
ran strawberry stands with a sign
“Take a box, leave $5. God bless.”
Her intentions left him empty, concave
as he howled promises to tear down the Robert Moses statue,
allow guavas to grow in her hair,
become her muse once again.
The Legendary Legs of the Rodriguez Women
Unequivocal with his observation,
a New Orleans accent and a smile
the stranger comments, “Nice stems”
quickly passing by my shoulder,
creating a small breezy respite from the stale heat.
My cheeks respond in gratitude,
with thoughts of my mother
and the legendary legs of the Rodriguez women,
mythical like Ithaca and Helen.
The genetic heirlooms
from a grandmother I never knew
as 1970s pictures framed in sunflower yellow
document my mother standing on beauty pageant stages
in stilettos with an audience of wishful suitors
and envious women.
Instinctive like writing names on wet sand
I touch the brown flesh and muscles below my knees
wonder if Carmelita ever thinks of my mom or me
when she inspects the variant blues of her veins,
slips on silk stockings, dances to Tito Puente,
wades in the water we call home.
Luivette Resto was born in Aguas Buenas, Puerto Rico but proudly raised in the Bronx. She earned her bachelors in English Literature from Cornell University in 1999 and later her M.F.A. in Creative Writing, Poetry in 2003 from the University of Massachusetts at Amherst Program for Poets and Writers. Her first book of poetry Unfinished Portrait was published in 2008 by Tia Chucha Press, whose editor is our current Los Angeles poet laureate Luis J. Rodriguez, and later the book was named a finalist for the 2009 Paterson Poetry Prize. She has served as a contributing poetry editor for Kweli Journal, a CantoMundo fellow, and a member of the advisory board of Con Tinta. Her new book Ascension was published in April 2013 courtesy of Tia Chucha Press, and it was recently selected for the 2014 Paterson Award for Literary Excellence for previous finalists of the Paterson Poetry Prize. Some of her latest work can be read on Luna Luna Magazine, Toe Good Poetry, Upworthy, Journal of Mujeres Activas en Letras y Cambio Social, and the Altadena Anthology 2015. Currently, she lives in Glendora with her three children.