In our world, pomegranates are bees’ produce.
Structure of honeycomb, kernels combed away.
The sting of passion to latch a kiss.
I slice through layers, body bending
here & there, pluck a seed
here & there, suck long
on juice, watch stain creep
through me like liquid, like sadness
warmed to stick to stomach
walls — the sweet bitterness of leaving
she would have known had her mother not
been a goddess, the bitter
sweetness scavengers accept
as a night’s exodus into day, the separation
from lover’s arms. Still humans are not fruits
and loving is not
leaving. You have come only
to go again like a season swept
in hurricane, an eye trapped
by circumstance hurling. Somewhere
there is a window display of fruit: basket
of apples, a bowl of orange. Outside
the artist’s arrangement, we’ll spy
palms of fruit so red they turn
to night and we’ll pinch
our lips & hear the hunger deep
within our throats, grasping
a gullet beneath & above
this portion of earth.
Image by Jo-Christian-Oterhals
Previously published in Vandal (Food and Migration issue)
Known for her sparkly eyeshadow and raucous laughter, Purvi Shah inspires change as a non-profit consultant, anti-violence advocate, and writer. She is curious about the power of language as inquiry and understanding, as a bridge between unknowns, as part of the dreamwork of transformation and justice. During the 10th anniversary of 9/11, she directed Together We Are New York, a community-based poetry project to highlight Asian American voices and experiences. In Terrain Tracks (New Rivers Press: 2006), she plumbs migrations and belongings. Her new poetry chaplet, Dark Lip of the Beloved: Sound Your Fiery God-Praise (Belladonna*: 2015), explores the devotions and configurations of women. Recently she was selected for INKTank, a 12-week residency for playwrights hosted by the Rising Circle Theater Collective.