It would have been better if we both had guns / if it had been over more quickly maybe we would have had more time to grieve, to feel a guilt bigger than fire & lake. There’s always the hypothetical: what if your family wasn’t an ache full of cemeteries, or the hushed clink of your second father’s belt buckle. What if you weren’t father haunted—& what if they believed you. But those things did happen & that leads us to our camaraderie: terrors where stairs are collapsing & the traffic lights hunt somebody. I’ve been meaning to ask you, when it was over, how did you re-learn to fill glasses of water / windows of water? While on the subject: that thing about the hand on the window—do you pretend you imagined it? I know the feeling. I can’t use the teakettle anymore / the whistle-scream ache into flashback. I shudder away with the visions: I’m suspended in cobwebs, strings plucked & bound by my ankles / my wrists, hear the clicking of pincers, but never quite see them. Is that what it’s like where you are? I forget you don’t have a chariot to take you into sun—lungs still pink, still forced to remember: betrayals ripen to perfection, then spoil.
Image Credits: Flickr: Joshua Kruger
Born and raised outside Rochester, New York, Erin Koehler graduated from SUNY Geneseo in 2015 with a B.A. in English (creative writing) and a minor in Native American studies. Her poetry has been featured in Terrain, The Susquehanna Review, and Gandy Dancer, and was selected for the Adroit Journal Editor's List for the 2015 Prize for Poetry. Erin currently resides in Boston, Massachusetts, where she hopes to pursue a career writing children's literature.