“They are like my aunts. Their pain is centuries old.”
– Cathy Park Hong, Minor Feelings
To the women who locked up late, after
their hands pressed against a stranger’s skin,
eyes both tired & seeing, despite their shape.
To the women who tied their rope-like hair
back in ponytails, or twisted it into a bun, broke
hair ties the way I do. To the women with accents
& complicated pasts, blisters & hospital bills,
no insurance, waning bank balances & everyone
speaking slow & loud, enunciated hand
gestures, everyone thinking them dumb.
To the women whose names are always butchered
or changed, anglicized & simplified, bleached
like the skin on their faces— papaya soap, whitening
lotion. To the women discredited & devalued
& objectified— the vehicle of her metaphor
always a doll or a food: something pretty & muted
or meant for consumption. I want to tell you:
I am one of you & I see my own mother, auntie,
grandmothers, sister, cousins in you. I see you
for the mother, auntie, grandmother, sister, cousin
you are. I see with my own dark & slanted eyes
the ways we are made to appear silent & subservient;
the ways we are made to disappear: expendable,
numerous, mispronounced & forgotten.
Image Credits: David FloresThis piece is part of our Fall 2021 In-Residence series, Blooming Fiascoes with Ellen Hagan.
Danni Quintos is a Kentuckian, a mom, an educator, and an Affrilachian Poet. She received her MFA in Poetry from Indiana University. Her work has appeared in Day One, Pluck!, Best New Poets 2015, Anthropoid, Salon, Cream City Review, and elsewhere. Her knitting has appeared on the shoulders and heads of many writers and artists, who are also friends and teachers. Danni is the author of PYTHON (Argus House, 2017), an ekphrastic chapbook featuring photography by her sister, Shelli Quintos.